I recently came across two very interesting new web projects - Sellaband and Amie Street - with different but related approaches to marketing unsigned bands online. Sellaband takes an micro-angel investing route; Amie Street acts like a kind of supply-and-demand driven stock market for tracks themselves. Both are examples of crowdsourcing, and fascinating, so I wrote about them for the Times. Unfortunately - due to space restrictions - my interview with Amie Street's Elliott Breece didn't make it into the printed article, but - if I get time, and with Elliott's permission - I'll try to post a transcription here in the next few days.